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Creature From The Black Lagoon

Creature From The Black Lagoon CREATURE FROM THE BLACK LAGOON MOVIE POSTER 5 Sizes

Ein amphibienartiges Wesen wird von Wissenschaftlern betäubt und gefangen genommen. Es verliebt sich in die Assistentin des wissenschaftlichen Leiters. Dem einsamen Wesen, einem fehlenden Glied in der Kette vom Amphibium zum Menschen, gelingt es. Der Schrecken vom Amazonas (Original Creature from the Black Lagoon) ist ein im 3D-Format gedrehter Horrorfilm-Klassiker des US-amerikanischen. molnbyentreprenad.se - Kaufen Sie Creature From The Black Lagoon günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. Packender Horrorfilm über eine Expeditionsgruppe, die im Amazonas auf eine sonderbare Kreatur trifft. In dem nahezu unerforschten Sümpfen des Amazonas. Creature From The Black Lagoon. USA, , 79 min, DCP, E/d, Regie: Jack Arnold, Drehbuch: Harry Essex Arthur Ross, mit: Richard Carlson, Julie Adams.

Creature From The Black Lagoon

Packender Horrorfilm über eine Expeditionsgruppe, die im Amazonas auf eine sonderbare Kreatur trifft. In dem nahezu unerforschten Sümpfen des Amazonas. molnbyentreprenad.se - Kaufen Sie Creature From The Black Lagoon günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. Wählen Sie unter Hunderten von einzigartigen Motiven und Designern. Wir schaffen Ihren Leinwanddruck nach Ihren Vorgaben und liefern ihn in höchster.

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The group goes aboard the tramp steamer Rita , captained by crusty Lucas. Edwin Thompson. When they arrive at the camp, they discover Carl's assistants have been killed while he was away.

Lucas suggests it was likely done by a jaguar , but the others are unsure. A further excavation of the area where Carl found the fossil turns up nothing.

Mark is ready to give up the search, but David suggests that perhaps thousands of years ago the part of the embankment containing the rest of the skeleton fell into the water and was washed downriver, broken up by the current.

Carl says the tributary empties into a lagoon. Lucas calls it the "Black Lagoon", a paradise from which no one has ever returned.

The scientists decide to risk it, unaware that the amphibious "Gill-man" that killed Carl's assistants has been watching them. Taking notice of the beautiful Kay, the creature follows the Rita all the way downriver to the Black Lagoon.

Once the expedition arrives, David and Mark go diving to collect rock samples from the lagoon floor. After they return, Kay goes swimming and is stalked underwater by the Gill-man, who then gets briefly caught in one of the ship's drag lines.

Although it escapes, the Creature leaves a claw behind in the net, revealing its existence. Subsequent encounters with the Gill-man claim the lives of Lucas's crew members, before the Creature is captured and locked in a cage aboard the Rita.

It escapes during the night, attacking Edwin, who was guarding it. Kay smashes the Creature with a lantern, driving it off, but Edwin is severely injured.

Following this incident, David decides they should return to civilization. Mark, obsessed with capturing or killing the Creature, objects.

As the Rita tries to leave, they find the Gill-man has blocked the lagoon's entrance with fallen logs. While the others attempt to remove the logs, Mark is mauled to death while trying to capture the Creature single-handedly under water.

The Gill-man then abducts Kay and takes her to its cavern lair. David, Lucas and Carl chase after the Creature and Kay is ultimately rescued.

The Creature is riddled with bullets before retreating to the lagoon, where its body sinks into the watery depths. Producer William Alland was attending a dinner party during the filming of Citizen Kane in which he played the reporter Thompson when Mexican cinematographer Gabriel Figueroa told him about the myth of a race of half-fish, half-human creatures in the Amazon River.

Alland wrote story notes titled "The Sea Monster" 10 years later, using Beauty and the Beast as inspiration. Following the success of the 3D film House of Wax in , Jack Arnold was hired to direct the film in the same format.

The designer of the approved Gill-man was Disney animator Milicent Patrick , though her role was deliberately downplayed by make-up artist Bud Westmore , who for half a century received sole credit for the creature's conception.

Ben Chapman portrayed the Gill-man for the majority of the scenes shot at Universal City, California. Many of the on-water scenes were filmed at Rice Creek near Palatka, Florida.

The costume made sitting impossible for Chapman for the 14 hours of each day that he wore it and it overheated easily.

Due to these difficulties, Chapman often stayed in the studio's back-lot lake, frequently requesting to be hosed down. He also could not see very well while wearing the headpiece, which caused him to scrape Julie Adams' head against the wall when carrying her in the grotto scenes.

Ricou Browning played the Gill-man in the underwater shots, which were filmed by the second unit in Wakulla Springs , Florida. Creature from the Black Lagoon received positive reviews from critics upon its release and is now considered a classic horror film.

Walter Harris , using the pseudonym "Carl Dreadstone", novelized the creature in a mass market paperback , part of a short-lived series of books based on the classic Universal horror films.

The novel, with an introduction by British fantasist Ramsey Campbell , offers a completely different Gill-man, who in this version is gigantic, being almost as big as the Rita herself, and weighing in at 30 tons.

The creature is both cold- and warm-blooded, is a hermaphrodite , and also possesses a long, whip-like tail. The gigantic creature is dubbed "AA", for "Advanced Amphibian", by the expedition team members.

After slaying most of them, destroying a Sikorsky helicopter, and kidnapping Kay more than once, the huge Gill-man is killed by the crew of a United States Navy torpedo boat.

The novel also rewrites most of its human characters. Only David Reed and Kay Lawrence remain the same. Mark Williams is now a German named "Bruno Gebhardt" and dies, not from drowning, but by the creature falling on him.

Lucas is renamed "Jose Goncalves Fonseca de Souza", and is a sympathetic character until he suggests throwing the wounded and unconscious Reed to the Gill-man.

Thompson and Dr. Maia suffer grisly deaths this time, whereas in the film, they both survived. Maia is eaten by the Gill-man, and Thompson is impaled by the creature, using a long tree branch like a spear an apparent nod to a deleted scene from Revenge of the Creature , wherein the Gill-man kills a guard in this fashion.

Creature from the Black Lagoon spawned two sequels: Revenge of the Creature , which was also filmed and released in 3D in hopes of reviving the format, and The Creature Walks Among Us , filmed in 2D.

A comedic appearance with Abbott and Costello on an episode of The Colgate Comedy Hour aired prior to the film's release. In , John Landis wanted Jack Arnold to direct a remake of the film, and Nigel Kneale was commissioned to write the screenplay.

Kneale completed the script, which involved a pair of creatures, one destructive and the other calm and sensitive, being persecuted by the United States Navy.

In , John Carpenter was developing the remake at Universal. Herschel Weingrod and Timothy Harris wrote a new script, [11] and Universal offered Peter Jackson the director's chair in , but he chose to work instead on King Kong.

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Please click the link below to receive your verification email. Cancel Resend Email. Add Article. Creature from the Black Lagoon Critics Consensus A solid, atmospheric creature feature that entertains without attempting to be deeper than it needs.

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How did you buy your ticket? View All Videos View All Photos 1. Movie Info. Universal Pictures introduced audiences to yet another classic movie monster with this superbly crafted film, originally presented in 3-D.

The story involves the members of a fossil-hunting expedition down a dark tributary of the mist-shrouded Amazon, where they enter the domain of a prehistoric, amphibious "Gill Man" -- possibly the last of a species of fanged, clawed humanoids who may have evolved entirely underwater.

Tranquilized, captured, and brought aboard, the creature still manages to revive and escape -- slaughtering several members of the team -- and abducts their sole female member Julie Adams , spiriting her off to his mist-shrouded lair.

This sparks the surviving crewmen to action -- particularly those who fancy carrying the girl off themselves. Director Jack Arnold makes excellent use of the tropical location, employing heavy mists and eerie jungle noises to create an atmosphere of nearly constant menace.

The film's most effective element is certainly the monster itself, with his pulsating gills and fearsome webbed talons. The creature was played on land by stuntman Ben Chapman and underwater by champion swimmer Ricou Browning -- who was forced to hold his breath during long takes because the suit did not allow room for scuba gear.

The end result was certainly worth the effort, proven in the famous scene where the Gill Man swims effortlessly beneath his female quarry in an eerie ballet -- a scene echoed much later by Steven Spielberg in the opening of Jaws.

Jack Arnold. Aug 28, Richard Carlson as David Reed. Julie Adams as Kay Lawrence. Richard Denning as Mark Williams. Antonio Moreno as Carl Maia.

Nestor Paiva as Lucas. Whit Bissell as Edwin Thompson. Ben Chapman as Gill-Man. A scientific expedition searching for fossils along the Amazon River discovers a prehistoric Gill-Man in the legendary Black Lagoon.

The explorers capture the mysterious creature, but it breaks free. The film itself has become a cliche for the "man-in-a-rubber-suit" monster movie, and the "gillman" is now included in the pantheon of classic movie monsters -along with Dracula, Frankenstein, and the Wolfman.

Surprisingly--even after a decade of watching technically sophisticated, state-of-the-art, unbelievably realistic prosthetic, animatronic, and computer-generated movie monsters--today's teenagers still love the old "rubber" prototype of all swamp monsters -"The Creature From the Black Lagoon".

This is especially true of teenage boys. Perhaps every adolescent male can relate to the film's star: the Creature is horny, inarticulate, moody, misunderstood, not pleasant to look at, and is unbelievably awkward with girls -the ultimate teenage "geek".

We all remember this classic scene in the movie: the film's beautiful heroine Julie Adams decides to take a dip, unaware that the Creature is swimming below her.

The image is archetypal : the powerful "masculine", and the overtly seductive "feminine", beautifully juxtaposed in a stylized sexual union.

Then, from the murky bottom of his lagoon, the Creature leeringly watches Adams as she performs an erotic underwater ballet, and he knows that, for the moment, he can only look, not touch.

Is the "scaly one" shy and insecure? Or does he simply have a Catholic upbringing? Indeed, much of the film's imagery lends itself to Freudian interpretation.

OK, so it's not exactly "Beauty and the Beast" -the Creature's passion is purely primal and elemental. But still, the fact that he restrains himself, satisfying his carnal curiosity with a simple caressing of Julie's ankles, and then retreats back to the gloomy bottom of his underwater sanctum to secretly watch her react in bewilderment, suggests he may be more human than he appears.

But, alas, as any good Freudian will tell you, repression often leads to disfunction. And later in the film, in a brief, but beautifully filmed underwater scene, the Creature savagely drags the tantalizing "Playboy centerfold" down into the Freudian depths to his subterranean grotto -perhaps to hide her under his bed I apologize for the metaphor.

It's getting stale, I know. Arnold would certainly object to us reading too much symbolism in his gillman, but the Creature may not have achieved such enduring status in monster-mythology if not for the fears and anxieties of the movie-going audience of the '50s.

Arnold's dramatic use of the Creature succeeds, of course, by exploiting the human fear of the unseen threat lurking below -a very primal, deeply embedded in the human subconscious, and one that's been ruthlessly exploited by filmmakers in countless horror films.

But Arnold's beast may also represent a more intellectualized fear. In the s and beyond , the threat of nuclear annihilation was very real, and like the creature in Shelly's "Frankenstein", Arnold's lagoon creature represents an elemental force of nature that, once discovered and awakened by science even well-intentioned science , cannot be controlled -perhaps like the newly tapped, but untamed, power of the atom.

Or and this may sound like apostasy in one of John's pretentious, sophistical, over-intellectualized movie reviews, in which I've constantly and digressively wandered into the Freudian morass perhaps the Creature is not a mataphor for teenage angst, forbidden knowledge, or cold-war anxiety.

Perhaps the Creature is nothing more than a guy in a scary rubber suit chasing a pretty girl around a movie soundstage.

But where's the fun in that? Actors Richard Carlson the sophmoric, but noble-minded paleozoologist and Richard Denning the ambitious financier play off each other well.

And Julie Adams is simply gorgeous in her custom-made swimsuit. Haven is appropriately surreal: as the men begin their search and descend into the black depths of the lagoon, they intermittently twirl and hover amidst penetrating shafts of sunlight from above; and as the camera pans the peaceful bottom-landscape of the lagoon, the gillman suddenly springs from clouds of disturbed sediment, thrashing through curtains of shimmering air bubbles and drifting weeds, determined and unstoppable in his persuit of the human intruders.

But one of the best things about the movie is the music. Some of the themes--written by Henry Mancini and Herman Stein--are quite beautiful; for example, as the expedition slowly makes its way up the dark Amazon, an ensemble of gentle woodwinds can be heard -a soft, subliminal prelude that lets us know we are entering another world, a primeval world.

Of course, the best thing in the film is Jack Arnold suggested that the design of the gillman suit be based on the graceful form of the Motion Picture Academy's "Oscar" statuette.

The suit was designed and brilliantly crafted by make-up artist Bud Westmore, and there were two versions -one suit for filming on land, and another for filming underwater.

On land, the gillman was played by Ben Chapman. Olympic swimmer Ricou Browning wore the gillman suit in the underwater scenes.

The "dry suit" that Chapman wore was beautifully colored with iridescent greens and blues, and mottled with many other marine hues.

The "wet suit" worn by Browning was a bright yellow -the marine hues chosen for the "dry suit" photographed too dark when filming underwater.

Creature From The Black Lagoon - Einstellungen

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Please click the link below to receive your verification email. Cancel Resend Email. Add Article. Creature from the Black Lagoon Critics Consensus A solid, atmospheric creature feature that entertains without attempting to be deeper than it needs.

See score details. Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie?

Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Videos View All Photos 1. Movie Info. Universal Pictures introduced audiences to yet another classic movie monster with this superbly crafted film, originally presented in 3-D.

The story involves the members of a fossil-hunting expedition down a dark tributary of the mist-shrouded Amazon, where they enter the domain of a prehistoric, amphibious "Gill Man" -- possibly the last of a species of fanged, clawed humanoids who may have evolved entirely underwater.

Tranquilized, captured, and brought aboard, the creature still manages to revive and escape -- slaughtering several members of the team -- and abducts their sole female member Julie Adams , spiriting her off to his mist-shrouded lair.

This sparks the surviving crewmen to action -- particularly those who fancy carrying the girl off themselves.

Director Jack Arnold makes excellent use of the tropical location, employing heavy mists and eerie jungle noises to create an atmosphere of nearly constant menace.

The film's most effective element is certainly the monster itself, with his pulsating gills and fearsome webbed talons.

The creature was played on land by stuntman Ben Chapman and underwater by champion swimmer Ricou Browning -- who was forced to hold his breath during long takes because the suit did not allow room for scuba gear.

The end result was certainly worth the effort, proven in the famous scene where the Gill Man swims effortlessly beneath his female quarry in an eerie ballet -- a scene echoed much later by Steven Spielberg in the opening of Jaws.

Jack Arnold. Aug 28, Richard Carlson as David Reed. Julie Adams as Kay Lawrence. Richard Denning as Mark Williams. Antonio Moreno as Carl Maia. Nestor Paiva as Lucas.

Whit Bissell as Edwin Thompson. Ben Chapman as Gill-Man. Henry Escalante as Chico. Bernie Gozier as Zee. Ricou Browning as Gill-Man in water.

Sydney Mason as Dr. Julio Lopez as Tomas. Perry Lopez as Tomas. Rodd Redwing as Louis. Syd Mason. November 16, Full Review…. September 26, Full Review….

February 9, Full Review…. October 26, Rating: B- Full Review…. September 18, Rating: 3. View All Critic Reviews Sep 12, The creature's makeup and design are stunning and look very realistic for the time the movie came out, while the underwater scenes are really awesome and creepy, making for a classic monster movie that aged well enough and can still be fun for modern audiences.

Carlos M Super Reviewer. Oct 23, An Atomic Age Creature feature that smartly forgoes a radioactive beastie for a straight up monster thriller, this Black Lagoon birthed a very worthy final act for Universal Horror.

After all, Godzilla already cornered the market on A-Bomb reptiles. Just to prove that the Atomic market was already cornered, Them!

Here, instead, filmgoers get thrown back into a well-proven genre, albeit with a highly effective monster and well wrought script. Allusions to the word 'throw back' are not at all mistaken.

At this cultural juncture, the mid-'50s, the original Universal horror flicks enjoyed a hugely successful theatrical re-release and television premiere.

In this unrated classic Universal horror flick, a strange prehistoric beast lurks in the depths of the Amazonian jungle where a group of scientists try to capture it and bring it back to civilization for study.

Cutting his teeth t great effect here, director Jack Arnold would go on to helm The Incredible Shrinking Man and the aforementioned Tarantula.

He never achieved the same Wow factor as with Creature, however. Harry Essex and Arthur Ross provided a decent script. The scares truly chill and thrill, however, heightened by the then-pioneering 3D "gimmick.

The Gill-man —commonly called the Creature —is the lead antagonist of the black-and-white science fiction film Creature from the Black Lagoon and its two sequels Revenge of the Creature and The Creature Walks Among Us In all three films, Ricou Browning portrays the Gill-man when he is swimming underwater.

In the scenes when the Gill-man is walking on dry land, Ben Chapman plays the Gill-man in the first film, followed by Tom Hennesy in the second, and Don Megowan in the third.

The Gill-man's popularity as an iconic monster of cinema has led to numerous cameo appearances , including an episode of The Munsters , the motion picture The Monster Squad , and a stage show Despite this popularity, the Gill-man appeared in the fewest movies of all the Universal Monsters.

Producer William Alland was attending a dinner party during the filming of Orson Welles ' Citizen Kane in which Alland played the reporter Thompson in when Mexican cinematographer Gabriel Figueroa told him about the myth of a race of half-fish, half-human creatures in the Amazon River.

Figueroa spoke of a friend of his who disappeared in the Amazon while filming a documentary on a rumored population of fish-people.

Alland then wrote story notes titled "The Sea Monster" 10 years later. William Alland envisioned the Gill-man as a "sad, beautiful monster" and the sculpture of it was much like that of an aquatic development of a human.

Alland said, "It would still frighten you, but because how human it was, not the other way around". Originally, the Gill-man's design was meant to incorporate a sleek, feminine eel -like figure, which did not have as many bumps and gills as the final version.

The designer of the approved Gill-man was former Disney illustrator Milicent Patrick , though her role was deliberately downplayed by makeup artist Bud Westmore , who for half a century would receive sole credit for the Gill-man's conception.

Part of the film was shot in Jacksonville, Florida on the south side of the river near the foot of the old Acosta Bridge.

The Gill-man is fully amphibious , capable of breathing both in and out of the water. It possesses large, webbed hands with sharp claws on the tip of each finger.

The Gill-man's scaly skin is extremely tough, which combined with a fast-acting healing factor, allows it to survive wounds which would be fatal to humans, such as gunshots and full immolation.

It also possesses superhuman strength, which is flamboyantly displayed in the second and third films. As shown in the third film, the Gill-man has a dormant set of lungs , should its gills be irreparably damaged.

As shown in the first film, it is vulnerable to rotenone. The Gill-man is slightly photophobic , due to its murky water habitat.

The last known surviving member of a race of amphibious humanoids which flourished during the Devonian age, the Gill-man as christened by Dr.

Thompson dwelled in a lagoon located in a largely unexplored area of the Amazon rainforest. The creature was apparently known to the natives, as the captain of the boat Rita mentioned local legends of a "man-fish".

After having found the fossilized remains of another Gill-man, a marine biology institute funds an expedition to the Amazon in order to find more remains.

Though the Gill-man reacts violently to the intrusion, he develops a soft spot for the team's only female member, Kay, and repeatedly tries to abduct her, going as far as building a makeshift dam to prevent their boat from escaping.

After having killed numerous members of the expedition, the Gill-man takes Kay to his underwater lair, where he is tracked down by the remaining survivors and riddled with bullets.

The Gill-man tries to escape by swimming deep into the lagoon, but dies from his injuries. A year after the events of the first film, the Gill-man is shown to have survived and is captured by different scientists.

He is sent to the Ocean Harbor Oceanarium in Florida , and quickly becomes a huge tourist attraction. He is studied by an animal psychologist and his ichthyology student.

The psychologist's attempts at communicating with the Gill-man are hampered by his attraction to his student.

The Gill-man breaks free from his tank and escapes into the ocean. It is not long before he begins stalking the ichthyology student and kidnaps her at a boat party.

The Gill-man is soon tracked down by police and again gets shot multiple times, forcing him to flee into the ocean.

He again tries to swim away and supposedly dies from his wounds. After living for a short while in a Florida river, the Gill-man is found again, and after a vicious struggle, is accidentally immolated.

The Gill-man's injuries are so severe that his scales and gills fall off, forcing his captors to perform surgery on him to prevent suffocation.

X-rays on the creature show that he has begun developing a land animal's lung structure, so a tracheotomy is performed, opening an air passage to the lungs, transforming the Gill-man into an air-breathing, nearly human animal.

Dressing him in a suit made of sail cloth, the Gill-man is taken to a California estate, where he is imprisoned within an electric fence.

Though they initially try to integrate the Gill-man into human society, one of its captors frames it for a murder, and the Gill-man ultimately escapes into the ocean.

Producer Gary Ross said in March that the Gill-man's origin would be reinvented, with him being the result of a pharmaceutical corporation polluting the Amazon.

Creature from the Black Lagoon is one of many films featuring the Universal monsters that will be receiving a reboot as a part of Universal Pictures' shared film universe titled Dark Universe.

Creature From The Black Lagoon Video

Everything you need to know about Creature from the Black Lagoon (1954) Qualitativ hochwertiges und bis ins kleinste Detail generalüberholtes Gerät vergleichbar mit einem neuwertigem Gerät. Die kompletten Aufbauten der Spielflächen wurden demontiert und von Hand gereinigt. Eine Gruppe von Geologen findet bei Grabungen am Amazonas eine versteinerte Hand, die von einem fehlenden Verbindungsglied zwischen Meeres- und Landlebewesen stammen könnte. Versandbereit innerhalb von:. Wir pflanzen Bäume mit Vi Agroforestry. Die Grafik ist natürlich dementsprechend dem Thema Flash Player Games. Your e-mail:. David Reed versucht, die Blockade zu entfernen, wird aber vom Kiemenmenschen angegriffen. Montageanweisung herunterladen. Zum Ende der Bildergalerie springen. Das Spiel erzählt 888 Casino Tel Geschichte von Wissenschaftlern, die den Amazonas entlang reisen und dabei eine mysteriöse, prähistorische Kreatur entdecken. Your name:. Die besten Casinos, die NetEnt Spiele anbieten:. Did you find what you were looking for? Der Leinwanddruck wird unmontiert geliefert. Um nach weiteren Funden Gaming Club Casino.Com forschen, rüstet Dr. AO Collection. Sie können das Einsatzlevel 1 bis 10 selbst festlegen und zugleich den gewünschten Betfair Co Uk 0,01 bis 0,50 bestimmen. Aus diesen Gründen wurde der Film umkopiert in das billigere anaglyphe Rot-Grün-Verfahren, das mit nur einem Film auskommt und auf eine normale Kinoleinwand projiziert werden kann. Spannrahmen hier bestellen. Bild verändern. CREATURE FROM THE BLACK LAGOON MOVIE POSTER 5 SizesMöbel & Wohnen, Dekoration, Bilder & Drucke. The Creature from the Black Lagoon Landscape 11X17 Universal Movie Poster Möbel & Wohnen, Dekoration, Bilder & Drucke. Schau dir unsere Auswahl an creature from the black lagoon patch an, um die tollsten einzigartigen oder spezialgefertigten handgemachten Stücke aus unseren. - Der Schrecken vom Amazonas (Original Creature from the Black Lagoon) ist ein im 3D-Format gedrehter Horrorfilm-Klassiker des. Creature from the Black Lagoon () on IMDb: Movies, TV, Celebs, and more.

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